It also becomes the scene that will set the tone for the chemistry between the lead pair.” The structure was more of a scene that can then lend itself to an action sequence. If you have to rob a museum, how about being an exhibit yourself.”Īnd finally, the writer spoke about the antique sword robbery where Hrithik’s character realises he has an imposter, he said, “This was one where Aryan meets Sunheri. Since the museum heist is almost a trap set by Jai (Abhishek Bachchan), the trick was in how Aryan would get into the museum, and the solution presented itself because of the location. Vijay said, “Personally I’ve always been fascinated by museums, a sense of history and one feels transported in time. He then mentioned the diamond robbery sequence set in the museum where Hrithik’s character poses as a statue while he patiently manoeuvres a remote-controlled car to execute the heist. It also sets up the thief as someone who is after rarities, a connoisseur.” A train hurtling down the Namibian desert. Of course, the sequence would not have been the same if it didn’t have the sense of speed. It felt audacious at the time to see if we could pull off Hrithik as an old lady with a fortune. The writer shared the idea behind the robbery as he said, “Aryan’s character in ‘Dhoom 2’ was supposed to be someone who leads an almost invisible life, and he can do that because he’s a master of disguise.”Įxplaining further, he stated how a brave choice of transforming Hrithik‘s character into an old lady, led to one of the most iconic action sequences of Hindi cinema, “The first heist was planned as emblematic of this aspect of Aryan. Vijay deconstructed three key action sequences from the film starting with the great train robbery.

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